In 2009-2010, Germany’s sales of ebooks were around 1.5 million, representing 0.8% of the German book market. Around two years behind the trends in the US, the market began to expand, at first slowly, then it mushroomed. Industry experts predict that for the year 2014-2015, ebook sales will reach over 60 and will account for 25% of all book sales in Germany. The Woolf talks to editor Susanne Weigand and independent author, blogger and journalist Matthias Matting.
“What is it that makes us love or hate a piece of literature? Do I love Ginsberg because he gives me a window in the zeitgeist of 1960s America: Sex, angst and drugs? Yes. Do I love Mary Shelley’s Frankenstein because she exposes me to a society where the wonder of electricity was something to be feared?” Johanna Sargeant on
Jill Marsh, Nicola Hodges “The basic substance of imaginative literature … is not reason but emotion, which is expressed not by the denotations of words, nor the grammar of the sentences but in connotations and colorations of the words as employed by the author’s style … it exists not as words written in books but as images with feelings attached.” —Jane Smiley, 13 Ways of Looking at the Novel The reader/writer...
Chantal Panozzo and Kelly Jarosz talk about how the Zurich Writers’ Workshop got started, and how to choose a workshop to suit your writing needs.
“While I check e-mail for the hundredth time, my friend stares ahead in tight-jawed concentration. She’s had a hard day but is hell-bent on getting not only the front row, but a very specific spot. When I pull out the sensible bag of fruit we’re calling dinner, she waves it away. The grapes are too tart, but I eat them anyway.” D.B. Miller on Stereophonics.
Distractions A migrant’s tale: Shaun Tan’s graphic novel, The Arrival. A moving outsider’s tale with barely a word in sight. Where to read online: http://flavorwire.com/407418/the-25-best-websites-for-literature-lovers Synaesthesia – crossing senses. Check out the worlds of David Eagleman, expert on the idiosyncrasies of the brain. http://eagleman.com/synesthesia Coney. “The experience starts when you first hear...
“An ISBN identifies your book, like a fingerprint. If you’re based in Switzerland, you need to apply for Swiss ISBNs.” Jill J. Marsh (Switzerland’s representative for the Alliance of Independent Authors) gives a round-up of the advice she gave at the Independent Publishing Event in Zürich.