Small Presses Making Waves
Jun09

Small Presses Making Waves

“I can’t imagine creating any other way. More eyes and hearts in what we’re making are always better.” We talk to Sean Platt, Sam Jordison, Joanna Penn and Nichola Smalley, who are making waves in different ways, with their imprints.

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Robert Walser: A miniaturist
Mar03

Robert Walser: A miniaturist

“Yet write he did. At some point in his thirties, cramps in his hands had made writing painful. He interpreted this as a psychosomatic rejection of the pen and turned instead to the pencil. This changed his output from wry and witty tales to wanderings through the landscape of the mind.” J.J. Marsh on beloved Swiss writer Robert Walser.

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On Virginia Woolf, Orell Füssli’s The Bookshop, and beginnings
Nov28

On Virginia Woolf, Orell Füssli’s The Bookshop, and beginnings

“There’s something interesting about a story that circles—however tightly, however loosely. This is the story that (like most others) is anchored from the start of its telling in a place and an action. It’s an action that is borne of friction: in the world, between characters, or internally.” Libby O’Loghlin on diving deep, and surfacing at the beginning.

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Something Good
Nov28

Something Good

“As much credit as I give the Von Trapp family and all their musical life-coaching, this notion, ‘Nothing comes from nothing’, was around long before Maria and the Captain were serenading each other on the subject.” Lindsey Grant on writing, and starting at the very beginning.

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Less in Ordinary Time
Nov28

Less in Ordinary Time

“Cowbells have a constancy, yet they are arrhythmic, a subtle protest against the Swiss clockwork of the cities. It’s a mindful cue to ‘think less in ordinary time’ of lockstep and paced life, of hours and minutes, appointments and regularities.” Caitlin Krause pens a dreamscape that brings us back to the beginnings of time—and ourselves.

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The Voyage Out: Mr. Pinocchio
Jun02

The Voyage Out: Mr. Pinocchio

In the first instalment of The Voyage Out, Susan Platt ventures into the magical realm of Mr. Pinocchio: a children’s toyshop born from the mind of a multilingual story-lover.

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The Borderlands of Identity
May23

The Borderlands of Identity

Novelist Lindsey Grant, one of the original forces behind NaNoWriMo, adds a personal note to the blurring of boundaries, as she prepares for the birth of her first child in a country that’s not her own.

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Explorations in a parallel cultural universe
Mar05

Explorations in a parallel cultural universe

In Explorations in a Parallel Cultural Universe, Berlin-based Chris Corbett digs down into the after-dark, dying art of book touring to promote his first novel.

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SWAGLit
Mar05

SWAGLit

Jo Furniss, member of our writerly pack, is leaving prints of her own all over Singapore, as she co-founds SWAGLit, Singapore’s newest litmag for writers.

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Author Day: The Numbers
Dec04

Author Day: The Numbers

The Woolf‘s very own Jill J. Marsh unearths treasure chests of writerly goings-on at FutureBook’s very recent Author Day in London.

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Eulogy for Orell Füssli The Bookshop
Aug28

Eulogy for Orell Füssli The Bookshop

Long-time Zürich resident, writer and entrepreneur Susan Platt pays her respects to a much-loved and soon-to-be-departed Zürich institution: Orell Füssli The Bookshop.

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Glass, Concrete and Stone
Aug28

Glass, Concrete and Stone

JJ Marsh ponders displacement, memory, and the emotional importance of place.

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Writing at the Castle
Aug28

Writing at the Castle

Switzerland-based novelist Louise Mangos relives long, hot summer days in the south of France … and discusses the benefits of being displaced at a writing retreat.

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Bringing Legend to Life
Jun02

Bringing Legend to Life

Historical fiction writer JD Smith on Tristan and Iseult, and the challenges and rewards of adapting myths and legends for the page;

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Adaptation
Jun02

Adaptation

Two Woolf readers talk about journeys of adaptation, growth and imagination, and the experience of having a foot in several cultural camps; and

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Adapting to Happiness
May31

Adapting to Happiness

The Woolf‘s resident scientist, Iida Ruishalme discusses whether her ideas of happiness have adapted to her life circumstances over time;

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Plunder: Remix or Robbery?
Nov28

Plunder: Remix or Robbery?

JJ Marsh gives an overview of those grey areas between borrowing and theft (and some words of wisdom for writers).

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Snapshot of a writing life: Tao Lin
Nov26

Snapshot of a writing life: Tao Lin

Chris Corbett’s take on Tao Lin, a writer who raids and re-uses his life.

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Writing (and Revising) Success
Aug29

Writing (and Revising) Success

What does success mean to a writer? Do any of us write—or pursue other creative endeavours—without some notion of our effort being recognized, rewarded, lauded? And what sort of outcomes ought we to lust after? Kristen Coros investigates.

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7 Tips for Starting a Critique Group
Aug29

7 Tips for Starting a Critique Group

Behind every great writer you’ll find … other writers. Kelly Jarosz provides seven tips for forming a successful critique group and why you should.

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Shamelessly serendipitous
May29

Shamelessly serendipitous

Iida Ruishalme explains how the space between languages is full of serendipity, ripe for a wordsmith’s shameless plundering.

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The literature of exploitation
May29

The literature of exploitation

by Johanna Sargeant Why is it that we love reading about exploitation? Anne Frank’s The Diary of a Young Girl and Arthur Golden’s Memoirs of a Geisha sit stoically on my bookshelf next to Vladimir Nabokov’s Lolita and Richard Overy’s The Dictators. For most of us, delving into these worlds of both the victim and the perpetrator is like reading any good fiction: It is escapism, it is voyeuristic, it gives us...

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A Fiction Workshop Experience
May27

A Fiction Workshop Experience

 Meredith Suter-Wadley gives an overview of the Zurich Writers Workshop, held in May at the Volkshaus in Zurich. Meredith attended the fiction workshop run by Anne Korkeakivi. The weekend kicked off with a Friday evening reading at Orell Füssli’s English Book Store in Zurich. Anne Korkeakivi read from her novel An Unexpected Guest, and Chantal Panozzo, the non-fiction instructor, read from her collection of essays, Swiss Life: 30...

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A Place for Persecuted Writers in Switzerland
Feb28

A Place for Persecuted Writers in Switzerland

Melinda Nadj Abonji, Adi Blum and Ulrike Ulrich are the initiators of a new writers-in-exile programme for Switzerland. The Woolf talked to Adi Blum, of the Swiss German PEN Centre to learn more.

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The Next Big Thing? Germany
Feb28

The Next Big Thing? Germany

In 2009-2010, Germany’s sales of ebooks were around 1.5 million, representing 0.8% of the German book market. Around two years behind the trends in the US, the market began to expand, at first slowly, then it mushroomed. Industry experts predict that for the year 2014-2015, ebook sales will reach over 60 and will account for 25% of all book sales in Germany. The Woolf talks to editor Susanne Weigand and independent author, blogger and journalist Matthias Matting.

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Emily Bronte is Dead
Feb28

Emily Bronte is Dead

“What is it that makes us love or hate a piece of literature? Do I love Ginsberg because he gives me a window in the zeitgeist of 1960s America: Sex, angst and drugs? Yes. Do I love Mary Shelley’s Frankenstein because she exposes me to a society where the wonder of electricity was something to be feared?” Johanna Sargeant on

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Engaging with Story
Nov23

Engaging with Story

Jill Marsh, Nicola Hodges “The basic substance of imaginative literature … is not reason but emotion, which is expressed not by the denotations of words, nor the grammar of the sentences but in connotations and colorations of the words as employed by the author’s style … it exists not as words written in books but as images with feelings attached.” —Jane Smiley, 13 Ways of Looking at the Novel The reader/writer...

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Strategic Engagement: Finding the best workshop for you
Nov23

Strategic Engagement: Finding the best workshop for you

Chantal Panozzo and Kelly Jarosz talk about how the Zurich Writers’ Workshop got started, and how to choose a workshop to suit your writing needs.

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Skipping the barrier
Sep04

Skipping the barrier

“While I check e-mail for the hundredth time, my friend stares ahead in tight-jawed concentration. She’s had a hard day but is hell-bent on getting not only the front row, but a very specific spot. When I pull out the sensible bag of fruit we’re calling dinner, she waves it away. The grapes are too tart, but I eat them anyway.” D.B. Miller on Stereophonics.

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Context: Crossings
Sep04

Context: Crossings

Distractions A migrant’s tale: Shaun Tan’s graphic novel, The Arrival. A moving outsider’s tale with barely a word in sight. Where to read online: http://flavorwire.com/407418/the-25-best-websites-for-literature-lovers Synaesthesia – crossing senses. Check out the worlds of David Eagleman, expert on the idiosyncrasies of the brain. http://eagleman.com/synesthesia Coney. “The experience starts when you first hear...

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