Zürich-based poet and journalist Claire Doble wrestles with what it means to have money while living in one of the richest countries in the world …
Award-winning journalist and author Juliana Barbassa talks about writing to understand displacement, Joan Didion, and the experience of relocating to Rio, Brazil, a city in crisis.
In a short work of fiction, author Paul Knott contemplates the meaning of home through the eyes of an asylum-seeker.
JJ Marsh ponders displacement, memory, and the emotional importance of place.
Switzerland-based novelist Louise Mangos relives long, hot summer days in the south of France … and discusses the benefits of being displaced at a writing retreat.
Historical fiction writer JD Smith on Tristan and Iseult, and the challenges and rewards of adapting myths and legends for the page;
“Is this person interesting enough for me to want to spend several months inside their head?” Andrew Crofts talks about Ghostwriting, and the strange symbiosis of writing someone else’s story.
Alison Ripley Cubitt and Sean Cubitt are a married couple who write as a team, under pseudonym Lambert Nagle.
Creativity in Tandem: Pete Morin and Susanne O’Leary are co-authors who’ve never met.
“…Some of the big bombastic milestones were achieved during a time in which I felt very much out of alignment and so I almost dismiss them. When I do something and I feel in alignment, then I feel I’ve succeeded.” Bestselling Australian author, journalist, TV presenter, blogger and media consultant Sarah Wilson talks to The Woolf about the online gift economy, independent and partner publishing, and her writerly habits.
What does success mean to a writer? Do any of us write—or pursue other creative endeavours—without some notion of our effort being recognized, rewarded, lauded? And what sort of outcomes ought we to lust after? Kristen Coros investigates.
Behind every great writer you’ll find … other writers. Kelly Jarosz provides seven tips for forming a successful critique group and why you should.
Iida Ruishalme explains how the space between languages is full of serendipity, ripe for a wordsmith’s shameless plundering.
by Johanna Sargeant Why is it that we love reading about exploitation? Anne Frank’s The Diary of a Young Girl and Arthur Golden’s Memoirs of a Geisha sit stoically on my bookshelf next to Vladimir Nabokov’s Lolita and Richard Overy’s The Dictators. For most of us, delving into these worlds of both the victim and the perpetrator is like reading any good fiction: It is escapism, it is voyeuristic, it gives us...
“Identity crisis. Check! Laundry lessons in two languages, neither of which I understood. Check! Phone phobia. Check!” Chantal Panozzo on being an American in Switzerland and her new book, Swiss Life.
Meredith Suter-Wadley gives an overview of the Zurich Writers Workshop, held in May at the Volkshaus in Zurich. Meredith attended the fiction workshop run by Anne Korkeakivi. The weekend kicked off with a Friday evening reading at Orell Füssli’s English Book Store in Zurich. Anne Korkeakivi read from her novel An Unexpected Guest, and Chantal Panozzo, the non-fiction instructor, read from her collection of essays, Swiss Life: 30...
Melinda Nadj Abonji, Adi Blum and Ulrike Ulrich are the initiators of a new writers-in-exile programme for Switzerland. The Woolf talked to Adi Blum, of the Swiss German PEN Centre to learn more.
“What is it that makes us love or hate a piece of literature? Do I love Ginsberg because he gives me a window in the zeitgeist of 1960s America: Sex, angst and drugs? Yes. Do I love Mary Shelley’s Frankenstein because she exposes me to a society where the wonder of electricity was something to be feared?” Johanna Sargeant on
What happens when 35 writers for young people, a children’s agent, and an editor gather in the centre of Zurich? You get a room that’s buzzing with hope, aspiration and imagination. HS Norup and Sherida Deeprose give a round-up from February’s workshop. On Saturday 25 January, Nuance Words presented Writing 4 Young People, a workshop featuring literary agent Julia Churchill (A. M. Heath) and editor Sara O’Connor (Hot Key Books)....
Chantal Panozzo and Kelly Jarosz talk about how the Zurich Writers’ Workshop got started, and how to choose a workshop to suit your writing needs.
“You have to be aware that you only play a secondary role as an editor. I read through the manuscript once first, as an outsider.” Editor Allison Lopez talks to the Woolf about editing.
Julia joined A.M.Heath in 2013 as Children’s Agent, after four years building up the UK side of the Greenhouse Literary Agency, and six years at the Darley Anderson Agency where she started the children’s book side of the list. She is always on the treasure hunt for new writing talent and considers the slushpile to be the greatest place on earth.
“While I check e-mail for the hundredth time, my friend stares ahead in tight-jawed concentration. She’s had a hard day but is hell-bent on getting not only the front row, but a very specific spot. When I pull out the sensible bag of fruit we’re calling dinner, she waves it away. The grapes are too tart, but I eat them anyway.” D.B. Miller on Stereophonics.
“The elements of location have to be sprinkled through the story with a light hand, serving to shine a light on the narrative and not distracting from it. Huge chunks of location, just like huge chunks of ill-disguised research, serve to pull the reader out of the story and that’s the last thing a writer wants.” The Woolf talks to novelist Charlotte Otter.
“I’m lucky to represent some fabulous writers, but I’m always on the treasure hunt for new writing talent and consider the slushpile to be the greatest place on earth.” Julia Churchill and Sara O’Connor comet to Zürich for a full-day workshop: Writing for Young People. Sat 25 January 2014. 09.00-17.00, Volkshaus.
Goings-on in Zürich and beyond Writing for Young People – Zürich Workshop – BOOK NOW! With literary agent Julia Churchill (AM Heath) and Sarah O’Connor (Hot Key Books) Sat Jan 25, Volkshaus Zürich, 09.00-17.00 Earlybird Rate: 150 Fr. (until 1 October) Regular price: 200 Fr. Bookclub at the Bookshop The Ocean at the End of the Lane – Neil Gaiman Thurs 14 Nov, 20.15, The English Bookshop Free entry Kaufleuten Events:...
Distractions A migrant’s tale: Shaun Tan’s graphic novel, The Arrival. A moving outsider’s tale with barely a word in sight. Where to read online: http://flavorwire.com/407418/the-25-best-websites-for-literature-lovers Synaesthesia – crossing senses. Check out the worlds of David Eagleman, expert on the idiosyncrasies of the brain. http://eagleman.com/synesthesia Coney. “The experience starts when you first hear...
“I’d been a writer for 22 years when I self-published my first ebook and, from the off, I just loved it. Not just because the books sold more than they had before but mainly for the way it restored to me something I’d lost by working within corporate structures.” The Woolf talks to Orna Ross, writer, poet, and founder and director of the Alliance of Independent Authors.
“Out came books about hallucinogenic plants, collected during my debauched youth. Dimly remembered information about neurotransmitters wended its way into the story, along with arcane laboratory details about paper chromatography. Easy. More or less.” The Woolf talks with Gabrielle Mathieu, novelist who lives in St. Gallen.
“I often find myself making suggestions on word-choice and smoothing sentences off a little, but large scale structure, characterization and narrative arc are not my areas. I’m the guy who polishes what Stephen King would call your little red wagon before you drive it home.” The Woolf talks to the pros of prose: editors.