“Most of her soft rock, standards and show tunes have been rationed because, baby, we’re on the clock. We skip through history and the flashbacks hit me like rain: the gummy back seat of my mom’s car. The pimply audition, when I had to warble about never falling in love again about a decade too soon.” D.B. Miller shoulder-rolls down memory lane to the crooning of Dionne Warwick.
“Train, tram, trek—by now I know the way. It’s my sixth Zürich Openair festival, the first that I’m hell-bent on hitting all four nights. I hang a quick left before the sewage treatment plant and start up the dusty path to the grounds.” D.B. Miller’s latest dispatch from Zürich Openair.
“Inside the club, you were tempted again. One of the guitarists was setting up inches away, likely the last tour he’d be doing that himself. But you remembered the time Noel Gallagher told a heckler he had a message from Liam—that he ‘shouldn’t disturb his brother while he’s fucking working’—and kept quiet.” D.B. Miller’s latest dispatch in Tales From The Pit.
“A disheveled guy unlocks the doors. While we thaw out inside, he checks our bags, takes a loose roll call and switches from German to English for the most important news: the responsible person will let us into the sound check ‘just as soon as she comes back from the toilet.'” What happened when definitely-not-intoxicated D.B. Miller met Black Rebel Motorcycle Club.
“For a second, she thinks about the description of dying her friend intercepted from the spirits: falling and fighting it with every muscle pinched in panic until the horizon tilts, hands float to the surface … and she lets go.” The latest instalment from D.B. Miller.
“Thirty-four years after the letter, I find myself in the back of an SUV on the way to a Who concert. While my parents discuss dinner options from the front seat, I try in vain to forge a link between the teenage fan and the adult.” D.B. Miller’s latest installment.
“If you slip and almost step on a waterlogged mouse, do not attempt an artsy contortion. You will pull a muscle in your back.” D.B. Miller walks us through eight steps to success when attending Zürich’s open-air festival.
“Fact: If you want to get close to the stage, you have to prepare. Some call it a military operation. I call it war.” D.B. Miller scans the audience in the pit with a series of vignettes.
“This is punk. This is what it’s for. A woman half my age is my teacher. And she didn’t come here to dance.” D.B. Miller faces off the Petrol Girls and Dead Kennedys in her new series.