“Yet write he did. At some point in his thirties, cramps in his hands had made writing painful. He interpreted this as a psychosomatic rejection of the pen and turned instead to the pencil. This changed his output from wry and witty tales to wanderings through the landscape of the mind.” J.J. Marsh on beloved Swiss writer Robert Walser.
“On November 9th, the day after the US election, I found myself in Houston. Having finished a speaking engagement at the university, I was visiting a dear friend. In need of solace, we went to the Rothko Chapel—a gathering place for civil rights activists from around the world, and an interfaith sanctuary for contemplation.” – Darcy Alexandra, organiser of the Writers Resist event in Zurich.
“The result is a sobering realisation of how quickly a society can shift from progressive to reactionary, and how much must be done by those who defend the democratic ideal. Most of all, we acknowledge the power of words.” J.J. Marsh pens a response to January’s Writers Resist event in Zürich.
“As much credit as I give the Von Trapp family and all their musical life-coaching, this notion, ‘Nothing comes from nothing’, was around long before Maria and the Captain were serenading each other on the subject.” Lindsey Grant on writing, and starting at the very beginning.
“Cowbells have a constancy, yet they are arrhythmic, a subtle protest against the Swiss clockwork of the cities. It’s a mindful cue to ‘think less in ordinary time’ of lockstep and paced life, of hours and minutes, appointments and regularities.” Caitlin Krause pens a dreamscape that brings us back to the beginnings of time—and ourselves.
“Have you thought about how suspense is created in a book? Or why you become engaged and care about the characters? These are things an author controls and creates quite intentionally.” Catherine Szentkuti and Meredith Wadley-Suter give a round-up of the Fiction and Memoir/Non-Fiction workshops from this Autumn’s WriteCon.
Paul Neale, contemporary artist, discusses red lines and coded environments, fractured figures and distorted bodies, and how pre-existing imagery adds texture to perception.
Switzerland-based Irish poet Padraig Rooney expands on the themes behind The Gilded Chalet, talking con-men and le Carré and the coherence of disparate times.
We are honoured to showcase a selection of visual artist Paul Neale’s rich, cross-media works in our summer edition Gallery.
Short stories, snagging agents, indie publishing and marshmallows … novelist Olivia Wildenstein shares her learnings from this year’s Geneva Writers Conference.