“For a second, she thinks about the description of dying her friend intercepted from the spirits: falling and fighting it with every muscle pinched in panic until the horizon tilts, hands float to the surface … and she lets go.” The latest instalment from D.B. Miller.
“Thirty-four years after the letter, I find myself in the back of an SUV on the way to a Who concert. While my parents discuss dinner options from the front seat, I try in vain to forge a link between the teenage fan and the adult.” D.B. Miller’s latest installment.
“If you slip and almost step on a waterlogged mouse, do not attempt an artsy contortion. You will pull a muscle in your back.” D.B. Miller walks us through eight steps to success when attending Zürich’s open-air festival.
“Fact: If you want to get close to the stage, you have to prepare. Some call it a military operation. I call it war.” D.B. Miller scans the audience in the pit with a series of vignettes.
“This is punk. This is what it’s for. A woman half my age is my teacher. And she didn’t come here to dance.” D.B. Miller faces off the Petrol Girls and Dead Kennedys in her new series.
“The first time I happened upon Pile of Books, a few months earlier, was just as disorienting. It beckoned like an Edward Hopper that had come to life and, were it not for the campy Come In, We’re Open! sign on the door, I could have been peering into a person’s private library. In some respects, I was.” D.B. Miller visits Daniel Nufer at Pile of Books in the next instalment of Notes from the Unexpected.
“While I check e-mail for the hundredth time, my friend stares ahead in tight-jawed concentration. She’s had a hard day but is hell-bent on getting not only the front row, but a very specific spot. When I pull out the sensible bag of fruit we’re calling dinner, she waves it away. The grapes are too tart, but I eat them anyway.” D.B. Miller on Stereophonics.
“There are still two communities. The one side is classic composers who would never write film music, and on the other side there are film composers … which the classic composers think are cheap. But that’s wrong.” The Woolf talks to Ludwig Wicki, co-founder and conductor of the 21st Century Symphony Orchestra.